Three weeks before hand harvesting, shade structures which filter out up to 90% of sunlight are placed over the tea to develop what is commonly called in Japan "the taste of the shadows. The result is a tea weak in tannins, highly complex and aromatic.
Shôryû speaks passionately about his craft and how the concept of pleasure plays such a large part in the philosophy behind creations.
This pearlescent finish is unique to Tokoname, a flagship city of ceramic production in Japan. This glaze carries the same name Shôryû Tenmoku. It took many years of careful research to achieve these spectacular results. Clearly a precious and carefully guarded art.
Despite international success, he prefers to keep his work affordable. A potter should create teapots that bring light and life to daily routine. why produce work that remains lifeless …
Marked by the famous 7542 seal, this Sheng Pu er cake sourced from Taiwan where it has been patiently preserved.
Here is a loose leaf Pu er from the Menghai region which has since aged under dry storage in Hong Kong.
This cake was produced according to one of the most popular recipes in the world of aged teas, and since the creation of this assemblage of medium grade leaves (4) in 1975 by the Menghai factory (2), enthusiasts have not ceased rejoicing.
Produced by the Lahu of Xishuangbanna, one of the ethnic groups of Yunnan, this aged tea is composed of leaves from 1,000 year old wild trees.
The Taiwanese potter Lin Jianhong from Luku in Taiwan, refined his study of ceramic art with the great masters of Japan.