Japanese Teapot | Opal
L’allure est anglaise, mais bel et bien de confection japonaise, on y devinait justement quelques détails du pays nippon. Cette théière s’avère être un bon choix de type classique avec juste ce qu’il faut de coquetterie.
L’allure est anglaise, mais bel et bien de confection japonaise, on y devinait justement quelques détails du pays nippon. Cette théière s’avère être un bon choix de type classique avec juste ce qu’il faut de coquetterie.
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This black chawan seduces us with its naïve details that bring its classic look to life. A pleasure to use with a slightly curled lip and the thumb groove for the thumb, while a contrasting glaze reminiscent of the Tenmoku pleases the eye.
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At the venerable age of 80, Japanese ceramist Gyokko is still an active artist whose energy do not seem to fade. He manages to keep in artistic vision: offering teapots that are both affordable, artisanal and complex.
At the venerable age of 80, Japanese ceramist Gyokko is still an active artist whose energy do not seem to fade. He manages to keep in artistic vision: offering teapots that are both affordable, artisanal and complex.
At the venerable age of 80, Japanese ceramist Gyokko is still an active artist whose energy do not seem to fade. He manages to keep in artistic vision: offering teapots that are both affordable, artisanal and complex.
The distinct finish on these elegant pieces is created using a clay powder in the glaze.
At the venerable age of 80, Japanese ceramist Gyokko is still an active artist whose energy do not seem to fade. He manages to keep in artistic vision: offering teapots that are both affordable, artisanal and complex.
Third generation potter, Hakusan began work in Tokoname nearly 50 years ago.
Made by hand without a wheel, Raku works have evolved with this precious and artisanal touch that follows the aesthetic concept of Wabi-sabi.
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